Experienced and dedicated professional with a robust background spanning various cultural sectors, including independent organisations, higher education, and community cultural development. Committed to cultivating synergistic partnerships between culture and community, championing excellence, and advancing social equity. A versatile individual adept at navigating roles as an academic, educator, artist, project manager, and advocate. Known for holistic thinking and diligent follow-through, consistently driving towards impactful outcomes. Passionate about equity and access.
As Director of Outer Space, I transitioned the artist-run initiative to a small contemporary arts organisation. In this role I secured a new state supported venue, and a new location to house artist studios. I also secured and managed Creative Australia, Arts Qld, Match Lab, and Brisbane City Council project funding, Arts Qld Organisational four-year funding, and increased the organisations' ability to employ additional staff members.
I have been employed as a tutor and lecturer in Art History.
I have been employed as a tutor in the Masters of Design, Innovation, and Technology degree.
In this role I was responsible for engaging with a range of high-school aged students, to introduce them to the university and their potential pathways into Creative Industries at QUT. I planned and implemented activities as part of a broader program and managed a team of university students who delivered these activities.
As a part-time Working Board Member for independent artist studio and gallery complex in Bergen, Norway I was responsible for maintaining the building, overseeing the studio members, and ensuring the future viability of the organisation through grant writing and management of funds. During my tenure I significantly lifted the moral of the members, by creating a number of community focussed events, including working bees and end of year gatherings. I also secured a number of state and federal grants for programs which supported the ongoing security of the organisation.
I have been running an independent grant writing and consulting business, for which I assist individuals and organisations with their grant writing needs and research needs.
As a Sessional Academic I was employed as Unit Cordinator, Lecturer, and Tutor across a range of practical and theoretical subjects.
As a Sessional Academic for over ten years at this institution I was employed as Unit Cordinator, Lecturer, Tutor, and Honours Supervisor, across a range of practical and theoretical subjects.
I was employed to assist students to achieve success in their degree.
In this role I was responsible for developing a producing a range of public program activities related to QUT Precincts exhibition program. My key audience was high school students, university students, and the general public.
Delivery of the Y Bloom program, a 10 week programme for girls aged 13-15 that is aimed at developing confidence, leadership skills and building career objectives.
Kink is a cross-disciplinary working group researching and formalising a history of queer Australian art Kink's work is defined by an interest in publishing, scholarship, advocacy, and public access We are deeply passionate about generating new and open resources for and about the Australian LGBTQIA+ visual arts community.
WILD THINGZ is a collective formed from a desire to gather around queer art, activism, archival activity, and making for the future. We worked to create space for conversation and activation of these themes, locally or wherever we find ourselves working next.
LEVEL's purpose originated in activism aimed at improving opportunities and profile for women artists. Over time our political interests widened to include issues of gender more broadly, class, race, sexuality and ability. The collective began with a complex that included galleries and studios and evolved to a more collective art-based interactive practice.
No Frills* was an artist-run gallery and off-site exhibitions and public programs.
I volunteered for the Drop In Sessions of the LBTQIA+ Youth Centre. I engaged with their existing program, and also facilitated art workshops.
They/Them