Patrick Hogan

As Script Coordinator for the feature film 'Overture', I was responsible for managing the script throughout production, ensuring all revisions and updates were accurately documented and distributed to the team. I maintained script continuity, tracked changes, and organized script notes to support the director and cast.

As Producers Assistant and Script Coordinator on Kangaroo, filmed in Alice Springs by StudioCanal, I worked closely with producers Rachel Clements and Trisha Morton-Thomas of Brindle Films to ensure seamless production coordination. I managed the flow of script revisions, tracked continuity, and facilitated communication between the production team and creative departments.

As Script Coordinator and Assistant Production Coordinator for the feature film 'Runt', I played a key role in organising and managing the script, ensuring the timely delivery of script revisions, and maintaining continuity throughout production. I coordinated communication between the director, cast, and crew, and assisted in the day-to-day operations, including scheduling, document management, and logistical support.

Awarded the highly competitive SBS Emerging Writers Incubator - landing a job with Brindle Films. In charge of further developing Brindle's slate of projects, work-shopping in writers' rooms, attending film conferences, analysing screenplays, note-taking, attending meetings, and scheduling.

Kid Snow is a feature film set in the 1970's Australian tent boxing scene in rural Australia. I worked closely with the producers to help with both production and script amendments.

Working full-time at the Perth Fringe Festival for Darkfield's multi-sensory audio shows allowed me to experience the lively yet challenging work that goes into running a festival

Working closely with Blake Ayshford (story producer) as the Script Assistant on Mystery Road, my main focus is to make sure his body of work is void of any story inaccuracies, or grammatical errors and overall adheres to script functionality.

After wrapping up MaveriX, I chose to nurture my working relationship with Rachel Clements by working at Brindle Films. There to mainly support Rachel and Bridget May (Associate Producer), I was helping them with their post-production duties

True Colours is a Bunya Productions 4-part series that is in collaboration with the SBS and NITV. I made changes to the script: transcribing Central/Western Arrernte dialogue, note-taking, liaising with the Story Producer, organising the HOD scripts, etc. Juggling both the script work and the production work was difficult - yet rewarding.

Working in the script department for MaveriX, a Brindle Films production for ABC. Working under Sam Meikle (story producer) I was helping out with everything story-related: amendments, character changes, proofreading, and preparing scripts.