Exceptional Performer with many,many years in performing arts in Australia, the United States and abroad. 1981- Won a full Scholarship from Princess Grace to study with Marika Besobrasova in Monaco 1983- Was the subject of a Documentary Film "Steps of Light" about her journey from Perth , WA to Monte Carlo ,Monaco and becoming a Finalist in The Prix De Lausanne. 1986- Won the SILVER MEDAL at the Third International Ballet Competition in Jackson, Mississippi, USA 1986- Winner of the western Australian Young Acheiver of the Year Award. 1986- Winner of The Young Acheiver of the Arts Award. 1992- Winner of The Australian Green Room Award for Best Supporting role in "Taming Of The Shrew" 1993- Winner of The Australian Green Room Award for Leading Role in "Sand Siren"
Overview
1998
1998
years of professional experience
Work History
MATILDA
Mrs Wormwood - Little Radical Theatrics
Mamma Mia
“Tanya”
FAME
Ballet Teacher - Little Radical Theatrics
SWEET CHARITY
NICKI
01.1997 - 06.1997
BEAUTY AND THE BEAST (DISNEY)
BABETTE ,THE FRENCH FEATHER DUSTER
07.1996 - 12.1996
THE AUSTRALIAN BALLET COMPANY
PRINCIPAL BALLERINA
09.1983 - 09.1995
Performed at the Met, Covent Garden , The Kirov, The Kennedy Centre Performed all major roles in Swan Lake , Don Quixote,Giselle,Sleeping Beauty to name a few.
DANCIN' MAN (DAVID ATKINS)
CYD CHARISSE
07.1988 - 12.1988
Education
BALLET
GRADUATE COLLEGE OF DANCE
PERTH, WESTERN AUSTRALIA
1981
BALLET
L'ACADEMIE DE DANSE DE PRINCESS GRACE
MONTE CARLO, MONACO
1983
BALLET
WESTERN AUSTRALIAN ACADEMY OF PERFORMING ARTS
PERTH, WESTERN AUSTRALIA
Skills
Dance background
Outgoing and friendly
Extensive performance background
Dedicated
Extensive and varied repertoire
professionally trained vocalist
NYC cabaret experience
reviews
Review/Ballet; An Australian 'Giselle' With the Fervor of YouthBy ANNA KISSELGOFFPublished: July 25, 1990 Dramatically, a stunning performance came from Sian Stokes as Myrtha, the queen of the wilis. Her first solos were danced with somewhat free-form shapes, but her acting was brilliant. Like any good vampire, she cringed in pain at the power of the cross. A wonderful new touch was her snarling fury when dawn broke and Albrecht escaped her grasp. By Nancy Goldner, Inquirer Dance CriticPosted: July 25, 1990 The Wilis' dancing lived up to that wonderful introduction.The long grand pas of the Wilis, often most notable for its length, was here most notable for its grandeur, and accumulating energy. This exciting effect was due to the unusuallydemonic force of Sian Stokes, who danced Myrta, queen of the Wilis, and again to Lanchbery and his indefatigable style